Practical
01Unit 1:
- SaraleVarase
- Madhyastayi Varase
02Unit 2:
- Janti Varase
- Dattu Varase
- Tarastayi Varase
03Unit 3:
- Mandrastayi Varase
- Origin of Carnatic Music
- Technical terms of Music
- Alankaras
04Unit 4:
- Pillari Geethe – 1
- Pillari Geethe – 2
- Pillari Geethe – 3
- Pillari Geethe – 4
Theory
01Unit 1:
- Origin and history of Indian music
02Unit 2:
- 72 Melakarta raga scheme
03Unit 3:
- Janya and Janaka raga
04Unit 4:
- Difference between Hindustani and Carnatic music and their classification
Theory
01Unit 1:
- Sound & place of emergence of sound
02Unit 2:
- Swaragnana, Talagnana, Ragagnana– Fundamentals of music- pitch, rhythm, tempo and scales
03Unit 3:
- Origin and development of Hindustani classical music
04Unit 4:
- Nada, Shruthi, Laya, Aroha, Avaroha, Thaat, Vadi - Samvadi, Svara, Varjyaswaras, Anga, Prahar, Komal Theevra – Shuddha Sapthak, Khayal, Dhrupad, Dhamar, Thumri, Bhajan, Ghazal, Bhavageethe, Haveli sangeeth
Practical
01Unit 1:
- Swarajnana – Sarala alankaras, Vakraalankaras, Jantiswaras, Meend, Andolitswaras, Kanswaras
02Unit 2:
- Beginning of Swarabhyasa - in three layas
- Types of Talas - Dadara, Kheruva Tal, Bhajantal, Jhuptal, Ektal (Dhruth), Theental - should practice
03Unit 3:
- The Swaramalikas, Lakshnageete, Chotakyal Bandish - 4 ragas (Bhoop, Bhibhas, BrindavaniSarang, Bhairav)
- Drupad - should be practiced
- One Bhajan – One Vachana – One Dasarapadas - One Ghazal
04Unit 4:
- Knowledge of the words - Nada, Shruti, Aroha, Avaroha, Vadi - Samvadi, Komal - Theevra - Shuddhaswaras , Sapthak – Prahar- Thaat – Varjya, Laya, Khayal
- Practice of Swaralipi (Notation system)
